Ghost Track By Track - Part 2
11/8 over 4/4 - Glockenspiel melody into quite bluesy soloing for me. We put this together by editing down a 7 minute guitar solo and cutting out the best bits, which I believe is something Dave Gilmour used to do in Floyd. The sounds at the end aren't synths, they are volume swelled acoustic guitars for a fake string sound. A harmony part to the first part comes in at the end, it sounds really percussive but it is tonal. We got the Glockenspiel for £25 in Macaris on Charing Cross road in London before it moved to Denmark Street. Thats a great shop. Its never quite the same when shops move is it?
A tribute to one of my favorite bands Draw. Draw were an incredible band from Northants who i was lucky enough to see live in the early 90's many times. Russ, the guitarist was a major inspiration in his use of delay, he used to change the speed of the delay with his feet. Hopefully me and Russ will be doing a record together, we've been talking about it via Twitter.
This is in 6/8 with me playing bass, drum programming by Mr Kevin Feazey. There was originally an acoustic rhythm part(which if you saw me play live was there). We stacked the lead guitar as a harmony part for the verse then into those ascending chords in the chorus. Thats Kev playing real drums on the chorus. Some of my favorite lead playing on the album is the lead bit at the end of the song over the second chorus(its more of melody really).
This went through many revisions - there is a different version on the podcast feed with Fuzz bass. There are some backwards parts at the end and parts played through my Line 6 Filter modeller, quite Frippy, analogue guitar synth parts. I'm not sure if the end is too long to be honest. There is a school of thought that records are abandoned rather than finished. Thats why its good to have a producer, if it was up to me we'd still be making Ghost.