Scan of the Classic Rock Presents Prog Interview

The Pay To Play Scam

Bands, please DO NOT pay to play at a venue.

The way it works is the band has to buy £180 worth of tickets from the promoter up front and if they fail to sell them they loose their money. So any liability for the failure of the the night lies with the band, the promoter takes no risk. Its a con but I was talking to a guy in a band who believed this is STANDARD PRACTICE in London venues. This is INSANE - I've played at most of the small/mid sized venues in London and never encountered this until recently.

The band involved said "if you can't sell the tickets you must be shit and we would get in the NME by playing there". I know this sounds hopelessly naive be there are musicians like this, desperate for exposure - often from outside London looking to build a following in the city. To be honest I thought all this had stopped.

I agree bands should help promote gigs and bands and promoters need to work together to make nights work (I wrote about it here), liability needs to be shared.

All these venues end up doing is putting on poor bands who can't get a gig anywhere else, playing to their mates and often paying for the privilege. This is crazy and MUST STOP NOW. Spread the word, we must stop this.

Streaming gig today at 7pm

Morning all

I'm playing a live streaming gig today at 7pm at

www.cafenoodle.ning.com

Just go to the site - its like watching a youtube video live except if you talk in the chat I can talk back to you :)

World times are here.

Would be great to see you there :)

Classic Rock Prog Interview and EP session

Its been a busy week - thanks to everyone who has purchased albums - much appreciated :)

There is an interview with me in the new Classic Rock Prog Magazine:

I did feel a prat reading it on the Tube :) I didn't want people thinking I was a crazed egotist. Its great to have such supportive press in the UK (and across the world).

Tomorrow I'm doing a live a streaming 7pm UK time - please join us @ www.cafenoodle.ning.com

I did a session on Tuesday for the European Perspective Podcast - its a 6 songs live acoustic session plus an interview and me talking about my list of favorite records - like desert island disks, I bloody loved it.

Wilf who presents the show is a great fella and is to be supported - heres what I played:

16. Radiohead - Paranoid Android (06:23) from OK Computer, 1997

17. Mahavishnu Orchestra - Birds Of Fire (05:43) from Birds of Fire, 1973

18. Groundhogs - Soldier...Alienness Of A Country (04:53) from Thank Christ for the Bomb, 1970

19. Nick Drake - 'Cello Song (04:48) from Five Leaves Left, 1969

20. Bill Bruford - Beelzebub (03:22) from Feels Good To Me, 1978

21. Draw - Stota (02:54), http://www.myspace.com/draw1/, 1993

22. Pink Floyd - The Nile Song (03:23) from More, 1969

23. Celtic Frost - Tristesses De La Lune (03:00) from Into The Pandemonium, 1987

24. John Barry - Space March (Capsule In Space) (02:44) from The Music of John Barry, 1977

25. Tinyfish - Building The Machine (03:16) from The Big Red Spark, 2010

26. The Zombies - A Rose For Emily (02:17) from Odyssey And Oracle (Remastered), 1968

Speak soon :)

 

8

This weekend and thank you :)

Afternoon

I just want to say thank you to everyone who told their friends about Ghost over the last few days - it worked!! Downloads and CD sales up and more people on the Facebook page. Thanks so much :) It shows the power of word of mouth. Amazing

Other than that over the weekend I've been doing more promotional stuff for Ghost and helping out my mate Nick Tann by videoing the recording of his live album @ Livingstone studios.

This man seems to be enjoying Toyahs appearance on Comic Relief Lets Dance:




In the studio with Nick Tann:




OK I admit it I want one:




I KNOW I'd look ridiculous :)

Alarm Press Kickstarter

You may remember the interview in did with ALARM Press I did last year?

Well this is a new Kickstarter project they are working on - they are well worth supporting:

We here at ALARM Press are pleased to announce our next book, Chromatic: The Crossroads of Color and Music. It's about independent musicians and artists who are exploring color in unorthodox ways, and we're really psyched about it.

We were so excited to put it together, in fact, that the finished product ended up at nearly 400 pages of full-color art and editorial. But because it turned out so much larger than originally planned, we need some help to send it to print. As of today, we have launched a pre-order and fund-raising campaign on Kickstarter.com, one of the world's biggest fund-raising websites for creative projects.

Here's the link:
http://www.kickstarter.com/projects/968547338/chromatic-the-crossroads-of-color-and-music

You can read about Chromatic and see some preview spreads at the Kickstarter page. We'd love your help in spreading the word about this, and if you know any friendly neighborhood benefactors, please pass this along.

One last push for Ghost :)

Hello

Thanks loads to everyone who has purchased CDs/Downloads in the last few days. Much appreciated - you may be in this pile here:

If you are interested in my attitude to "free" music this an interview in Cack Blabbath all about that:

“Well this approach kind of dates back to the Grateful Dead who used to let people tape and trade their concerts. The basis of the model is you will create a community which you can monetize later on, like tech start ups like Google and Twitter did – once you have people there you can figure out how to make money from them. With most labels bands get paid little to nothing anyway after they often fail to recoup. Why you’d need to be signed to do this I don’t really know unless the label can help with PR/Marketing/Tour support, many people at labels have some really useful skills but there is no reason you can’t hire PR etc yourself . I would imagine Gama Bomb must be signed to some kind of 360 degree deal where the label takes a percentage of touring/merch. Most bands would be better off with a bank loan than a label. With a label you often end up paying back the costs anyway, but the label still own all the rights to your work, which is ridiculous. Just because its been standard practice in the industry for years doesn’t make it any less bullshit.”

You can read the whole thing here.

I'm doing one last push for my album Ghost and I need your help (as usual). Can you tell one person about it please? If everyone tells someone, through word of mouth it will make a BIG difference in terms of people hearing the record.

If you can send anyone to the:

Matt Stevens #BandPage on Facebook http://listn.to/mattstevensloop

or the download/pay what you want page at:

http://mattstevens.bandcamp.com/

I'd hugely appreciate it. if you burn someone a CDR or post a blog/Facebook update/tweet, thats great as well (and cheers to everyone who already has). I had an email from a listener saying I can't let this album go without giving it a push, so this is it! To me Ghost has done FAR better than I could ever have imagined, so thanks very much and I'm so pleased with the audience I've gained through it. I'm trying to raise funds to record again at the moment so if you do decide to pay for a CD or Download it will really be greatly appreciated.

Thanks so much for this.

Speak soon

Matt